Featuring singles 21, Long Sleeves and I miss you, I’m sorry, the seven-track EP is a polished debut collection that lets Abrams’ crystal clear vocals shine.
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With ‘Women in Music Pt. III’, HAIM is walking down a road of its own
It’s three for three for the sisters of HAIM as Women in Music Pt. III artfully blends their brand of pop rock together with embellishments of ska and disco.
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Jessie Ware brings seduction to the disco on ‘What’s Your Pleasure?’
On her fourth studio album, British singer Jessie Ware finally and fully gives her fans what they’ve been asking for: a collection embracing her flirtations with dance music.
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The tender catharsis of Phoebe Bridgers’ ‘Punisher’
Moving away from the folk sounds that characterised much of her debut album, Bridgers’ long awaited follow-up is a sparse, atmospheric odyssey.
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With ‘Ungodly Hour’, Chloe x Halle prove that the kids are alright
Two years after their debut album, Chloe x Halle are back stronger and more assured than ever with Ungodly Hour, a non-stop collection of R&B gems.
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On ‘Chromatica’, Gaga makes a return to the dance floor where it all first started
Paws up, armour ready, it’s time for a trip to the land of Chromatica.
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Keiynan Lonsdale is a liberated force of nature on ‘Rainbow Boy’
The world first got its mainstream glimpse of Keiynan Lonsdale with his role in the coming-of-age film Love Simon, but in reality, the 28-year-old actor, dancer and singer-songwriter’s career goes way back.
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Ambitious, long-drawn and rewarding: The 1975 return with the second part of ‘Music for Cars’
If there was one thing the loud, punk anthem, People, should have clued us about, it was that Notes on a Conditional Form would be nothing like The 1975’s usual sound.
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