On their third studio album, Sam Smith navigates heartbreak with a little help from newfound grooves and familiar moves.
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‘Only Child’ review: Sasha Sloan is more than just a sad girl
Modern music’s resident sad girl releases her debut album: an intimate, acoustic-leaning collection of ten songs.
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Troye Sivan’s ‘In a Dream’ EP is his kaleidoscope of memories
With each song representing a particular frame of mind of Sivan’s, the EP is a stellar display of experimentation and maturity.
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‘JAGUAR’ is a journey through the different sides of Victoria Monét
Best known for her contributions to Ariana Grande’s ‘7 Rings’ and ‘Thank U, Next’, ‘JAGUAR’ sees Victoria Monét more than ready to strike out on her own.
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Billie Eilish’s haunting ‘My Future’ is an ode to self-love
The track, produced by Eilish’s brother FINNEAS, came about as a product of the siblings’ time spent together in lockdown and quarantine.
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‘Folklore’ is proof that the old Taylor Swift is well and very much alive
Surprise-released and going down the indie folk route, Taylor Swift’s eighth album is a move away from everything we’ve come to expect from the singer.
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Ellie Goulding sings the blues a little brighter on her latest album, ‘Brightest Blue’
Arriving five years after her last album, Brightest Blue is Ellie Goulding at her most fully realised artistry.
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On ‘Under My Influence’, The Aces make a bid for pop excellence
Moving away from the indie pop sound of their debut, the quartet touches on modern themes like queer love and loneliness with help from some huge hooks.
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